Essays
Long-form writing at the intersection of architecture, place, motherhood, and the practice of seeing. Always intentional. Always from the inside.
Latest Essay · Documentary · June 2026
On The Art of Sister(hood) at ThirtyThree Gallery in Las Vegas — what a space documents back, and what sisterhood looks like when it becomes the room itself.
Read the essay →On June 3rd, 2026 — the first full day I'd had to myself since before my son was born — I drove three minutes from home, set up a tripod, and stepped into my own frame.
On Lauren Halsey's Sister Dreamer, the frequency of 23, and what it means to mother and document in the same breath — shot on a Minolta SRT-101 on 35mm film.
On photographing Azulu — what a two-year-old brings to a documentary practice without knowing it, and why his presence in the work is not incidental.
Some seasons feel loud. This one — inside Casa Gilardi, in Mexico City — felt luminous. On beauty after grief, and mothering while becoming.
Luis Barragán's masterwork doesn't rush to reveal itself. Neither do the people who move through it slowly enough to understand.
Frank Gehry's Lou Ruvo Center — experienced for the first time not from a distance, but up close, in stillness, with my son beside me.
On the apartment in Mexico City where Azulu and I lived briefly — and what it means to feel genuinely at home in a place you've just arrived.